Eyewear Publishing Looking For You!

Eyewear has had over 1 MILLION PAGEVIEWS since its inception in 2005 BUT SINCE 2012 it is more than a blog: it is also an INDEPENDENT press based in London's West End. TO BUY OR CHECK OUT EYEWEAR BOOKS, look no further.

Tuesday, 18 June 2013

Poem from 1999 by Todd Swift



Sometimes I think that being a Protestant

is very dull. Rather like working
as a librarian, at Hull. Or not at all
the same, instead something flatter.
I wasn’t born Catholic, simple as that,

no fault of my mater, or my pater,
though they both tried hard, I’m sure
to make me Christian in their bed
(when making babies without underwear),

and did not wish me at my birth to be
the representative of only half Christ’s
community, on Earth, or less even;
I’ve been this way, United Church, then

Anglican, since I could count angels
in the stain, the glass hung up religiously,
could hardly imagine becoming RC,
yet tempted I remain, by the imagery

and exotic ways of doing things (African,
almost, or Chinese); I don’t dislike Mary,
think she’s very lovely, like the Pope -
but here I quickly get out of my depth -

it’s a dizzying world of Saints and beads,
parts of the Bible I have never read,
and a simply other-shaped kind of hope.
My people - if that’s who they are -

have done terrible things and been stupid -
some of theirs, I’ve heard, mistaken too -
all groping for a history in a world terribly
out of step with any basic common good.

In Sunday School I was made to draw whales
and Joshua, and walls falling, and asses
bearing Joseph and his wife on to that famous
manger. Meanwhile, inside the real place,

where adults sat dutiful and bored, anger
mingled with information about Dead scrolls
and long-winded journeys through Palestine
in bussess; the dust whipped up by those tours

seemed to whirl, then settle, in the pews.
Not words, nor deeds, or even well-baked goods
brought me inner satisfaction, although book sales
held some amazing bargains: James Bonds

for less than a comic; the Ladies hoarded the best
for themselves, so when the doors opened at Nine,
already the valuable stuff was gone, the poor
wandering though left-over left-overs in stalls.

And so it went. Sharing and the Samaritan, ditched,
and all the promises meant to be kept, abbreviated
by suburban standards and the Reformation.
The streets the houses of these Christians stood on

were wide, with lawns, and Dutch Elms that spread
until, one year (in ’76) they all got sick, failed
then were cut down by contractors from the city,
until the avenues were stumped and empty overhead.

More science than allegory, this true fact
still signals a radiating mood about my childhood:
it died where it stood, for all the stone buildings standing tall.

POEM FROM BUDAVOX

I am currently going through my many collections and pamphlets to select poems for my American Selected, out next year.  Here is one of the poems I will include, from 1999's Budavox, my debut collection...



A SOLEMN MEDITATION ON THE FANTASTIC FOUR

Gamma Rays pierced them, they returned heroic
though not without difficulties. When all changes,
much remains, but different, even unfortunately
strange, and powerful, so that men point in streets,
their hats tumbling off, and women drop groceries,
to see Galactus, or his herald, in bubbles of concrete,
atoms in galaxies in Manhattan, thrown for a challenge,
and earth-shattering conclusions left monthly, balanced
by the sheer crazy threats of barely thwarted annihilation
and what being super frames. It’s clobbering time, yet
not all matters can be solved with orange-granite fists,
limbs that stretch like gum, a molten body of a boy,
or a girl whose fields are clear as glass but cannot yield
their molecular force. Because human, we love as well
as when, to war, we put our armor on, and fend for Troy
or Helen; each wall that’s a breakthrough for one army
is another’s black hole, defeat whorling in like vacuum
and nothing left save rubble, weakness and air half-fire,
and the rumor of more ruin on the way, the next landing:
the world a place to be conquered by a Silver Surfer, or
a Submariner, blowing what belongs to Triton, Hudson
roiling at the emergence of an aquamarine attack, noble
in its grand indifference to the mere lunged New Yorkers,
abashed but inured to wanton villains and their grandiosity
now that the Baxter Building is the Ur-magnet for wild evil.
Yet, how can Mr. Fantastic knowingly enter the fragile
space of his own beloved, without a shameful thought,
that what simple anatomy has wrought, his husbandry
may undo, with his newfound abilities, pure expansion?
Obscenity is no part of the vows that bind a man to spouse
but in the broken house that is radiation’s special curse,
who can argue for his long-legged will to stay, just so?
And who may know the proper measure of Ben Grimm’s
agony: mightier than a slaughterhouse of oxen, still stone
on stone, and tangerine, his hands a clear sign of clumsy
cold, no subtle fingers here, a demolition of thumbs, a face
like a wrecking ball, and all the passion of a normal man?
Might he not want to break down, be regular now, and take
the blind girl in his athlete’s arms, again, no pressure to tackle
Victor Von Doom? Consider the Invisible Girl, later Woman,
whose grace is to go unnoticed, who can keep the rain off
with a shrug of atoms, does she want her genius long or short;
maybe after a homely battle, she may turn her back and leave
her powers on, so no marriage can reach, no matter the arms
that struggle to strain and pound at her inviolable places?
For Johnny Storm, no tonnage of car wax or peroxide obscures
his film idol’s grin eats only oxygen and spits lewd fire, his trim
physique a mitochondrion’s macrocosm gone supernova. Sure,
he’s beauty jetting from a flame-thrower, a solar rose, flight
hotly incarnate, a stream of fuel lit and flown across the sky,
lean muscle in a tight blue uniform that accepts the burn.;
but this, and less. He cannot lift his playmates to the sun
as he may go, but must return too soon with lovers to the ground.
They’ve found, all four, and each as fantastic as a bestiary’s apocrypha,
a sullen access to the null and void of life, where Midas fondled yellow.

POEM BY TODD SWIFT, COPYRIGHT 1999/2013.

Monday, 17 June 2013

KURT BROWN HAS DIED

Sad news - the fine American poet, anthologist and organiser of many events, Kurt Brown, has died, I have just heard.

Saturday, 15 June 2013

EYEWEAR POP UP SHOP IN NOTTING HILL WITH CB EDITIONS AND OTHER COOL INDIE PRESSES!

Pop Up Shop – July 2013

portobello roadSummertime – and though for poets and independent publishers the living isn’t exactly easy, it’s time to come out onto the street and play.
Specifically: THE SHOP. For the first week of July, 1st to 7th, Eyewear Publishing is joining forces with CB Editions. We will be taking a pop-up shop in Portobello Road, London: number 201, a block along from the Electric Cinema. We’ll be selling books from our own presses and those of some others (ArcFive LeavesFlipped Eye among them, and not exclusively poetry), and there’ll be photographic prints by Ken Garland and other things. And balloons. The shop is essentially a shop, and is hardly the most comfortable of reading venues, but there’ll be events in the evenings and pop-up readings by various poets during the daytime.
Those reading will include Laura Del Rivo, whose 1961 novel The Furnished Room was filmed as West 11, who has a story in the new Salt anthology of The Best British Short Stories 2013 and who still runs a stall in the market; Cathi Unsworth, who has published several novels set around Portobello Road and is a contributor to Five Leaves’ recent London Fictions; Andrew Motion; assorted Eyewear and Flipped Eye poets; Christopher Reid; and, oh, others.
Come and join the fun!  We’re having a launch party on 1st July from 7pm.  Join us for a glass of wine, and to hear a few poems from Mark Ford.
More details of the schedule coming soon!
Monday  1st 
Eyewear party with Mark Ford 7pm
Tuesday 2nd   
Leah Fritz 2.30pm
Kimberly Campanello 3.30pm
Christopher Reid 4pm
Wednesday 3rd
Tim Dooley 1.30pm
Fiona Curran 3pm
Andrew Motion 3.30pm
Thursday 4th   
Anthony Howell 3.30pm
Harry Man 5pm
Laura Del Rivo and Cathi Unsworth 6.30pm
Friday 5th
Tamar Yoseloff 1pm
John Greening  1.30pm

The Poetry Drone

Eyewear poet David Shook has created a zany, brilliant project up at Kickstarter, to build drones designed to drop poems not bombs, which, apparently, is legal.  The poems are designed to land safely and flower if the degrade in fertile soil.  Put your money where your pen is!  The video is pretty retro-cool too...

POEM FOR SNOWDEN #8: COLLIS



Redacted


Stuck again we came up with something else
Tried gluing the cardboard ends of worlds
To our heads and backs like
The defensive plates and spikes
Of dinosaurs we weren’t but were becoming

Or drove out west like a movie we remember
Where girls feet rest on the dash
Window prism light listening to electric chatter
And music seems part of the sunny world
That is escaping last air from a thought balloon

The gentle breeze backyard backdrop
Of evergreen trees allows a long strand of
Web the faintest visibility floating like
This will be the last word spoken or
Overheard no this will—Kalamazoo

But then the Internet didn’t care anymore
Though it went on recording every gentle
Key caress and whoever we were outside information
We stood together and with our chemicals
And held death a little closer to our whispering lips

When we text it is barely the memory of bird song
There might be some data or DNA left somewhere
But with no readers who cares what bugs
Are expressing remnants of after images and holes
This whistle’s blown and we are unplugged for good


—Stephen Collis



Stephen Collis is an award winning poet and professor of contemporary literature at Simon Fraser University. His poetry books include Anarchive (New Star 2005), The Commons (Talon Books 2008), On the Material (Talon Books 2010—awarded the BC Book Prize for Poetry), and To the Barricades (Talon Books 2013). He has also written two books of criticism, including Phyllis Webb and the Common Good (Talon Books 2007), and a novel, The Red Album (BookThug 2013). His collection of essays on the Occupy movement, Dispatches from the Occupation (Talon Books 2012), is a philosophical meditation on activist tactics, social movements, and change.